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Brief history of asian art

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From ancient times, China has been the dominant and referential culture in East Asia. Although variously developed Neolithic cultures existed on the Korean Peninsula and on the Japanese archipelago, archaeological evidence in the form of worked stone and blades from the Paleolithic and Neolithic periods suggests an exchange between the early East Asian cultures and the early introduction of Chinese influence. This cultural interaction was facilitated in part by land bridges that connected Japan with the continent. They reveal a rich symbolic vocabulary and decorative sense as well as a highly successful union of function and dynamic form. These types of vessels chronicle the increasing needs for storage as there was a gradual societal transformation from nomadic and foraging cultures to more sedentary crop-producing cultures.
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SOAS University of London

The Ph. Offerings include introductory lectures, theme-based courses, and advanced seminars on painting, sculpture, architecture, prints, Buddhist art, modern art, museum research, and pedagogical training. The examination of objects in the Harvard University Art Museums and the Museum of Fine Arts, Boston, regular study trips to East Asian, European, and American collections, and instruction with a steady stream of visiting professors and scholars in residence are integral aspects of the program. Each session will be centered around in-depth analysis of case studies drawn from different categories of objects painting, calligraphy, textiles, lacquerware, ceramics, glass, and metalwork among others created in different cultural regions along the Silk Road, spanning Persia and Japan, from the sixth through eighth century. The goal will be to work outwards from specific objects to larger themes including the interregional transmission of artistic techniques and cultural knowledge along the Silk Road; transposition of modalities of making from one material or process into another; the role of artifacts in diplomatic exchange; vernacular iconographies; pseudomorphology; the role of treasuries in the construction of kingship; the relationship between art and environment in Central and East Asia; the contribution of conservation science to discursive forms of art historical analysis; and the merits and demerits of various digital humanities approaches to the study of the Silk Road and its cultural history. Course website. Roughly following the history and development of Buddhism in chronological sequence, the course explores pertinent topics in the study of Buddhist monuments, such as cosmology, pilgrimage, ritual, materiality, relics, meditation, world-making, and the relationship between Buddhism and local religions.
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Should you take ND’s first-ever Asian art history course? Yes, for these five reasons

Ancient China covered a vast and ever-changing geopolitical landscape, and the art it produced over three millennia is, unsurprisingly, just as varied. Still, despite continuous indigenous technical developments, changes in materials and tastes, and the influence of foreign ideas, there are certain qualities inherent in Chinese art which make it possible to describe in general terms and recognise no matter where or when it was produced and for what purpose. These essential qualities include a love of nature, a belief in the moral and educative capacity of art, an admiration of simplicity, an appreciation of accomplished brushwork, an interest in viewing the subject from various perspectives, and a loyalty to much-used motifs and designs from lotus leaves to dragons. Chinese art would influence tremendously that of its neighbours in East Asia, and the worldwide appreciation of its accomplishments, especially in ceramics, painting, and jade work continue to this day.
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Bronze Head with Gold Foil Mask c. The huge Asian continent has given birth to numerous types of art that predate anything seen in the West. Ancient pottery , for example, first appeared in China, as did large scale bronze sculpture , sericulture, as well as jade carving and lacquerware, and also calligraphy. In other fields - such as terracotta sculpture , for instance - Chinese ingenuity and creativity is unmatched, while in the arts of painting and metalwork the contribution of Chinese artists has been outstanding.
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